LE SUPPLICI / FABRIZIO FAVALE

Lute. Arrivo delle scintille e dei bagliori in ogni cosa

concept and choreography Fabrizio Favale 

performers Daniele Bianco, Vincenzo Cappuccio 

set, costume design and video effects First Rose 

music Alex Somers, Paul Corley, Sigur Rós 

tour manager and promotion Andrea A. La Bozzetta 

production KLm – Kinkaleri / Le Supplici / mk 

co-production MilanOltre Festival

with the support of MiBAC, Regione Emilia Romagna

created during a residence at ALASKA, an experimental program organized by AMAT and KLm 

duration 30’ 

Immersed in an empty and shiny space two undefinable figures appear and dance and build weird objects. Are they creatures in a dream or dreaming animals? 

Lute means flickering embers in an old Italian dialect. They ‘perform’ a dream-like show with blurry contours, rich in suggestive images. Bodies shining like minerals, although being human, they become the territory of hybridizations with other genetic codes. The language they use in their dance is invented, resulting from the fusion of different codes as if to launch a message to all living creatures or to decrypt something among the endless number of words they can produce.  

This work takes the audience to a undefined space of meditation. It is a drawing, a small and meaningless doodle, a riddle dedicated to the memory of Alan Turing.  

 

The Wilderness. Niente di tutto ciò è reale

concept and choreography Fabrizio Favale 

stage direction and assistance Andrea Del Bianco, Andrea La Bozzetta

costumes and set design, images First Rose 

music Alex Somers, Sigur Rós, M83

performers Martin Angiuli, Daniele Bianco, Vincenzo Cappuccio, Martina Danieli, Francesco Leone, Mirko Paparusso

production KLM – Kinkaleri / Le Supplici / mk 

co-production MilanOltre Festival

with the support of MiBAC, Regione Emilia Romagna, Comune di Bologna 

and h(abita)t – Rete di Spazi per la Danza / Sementerie Artistiche, Crevalcore 

A hypnotic dance describes a non-existing landscape, apparently bare and alien. It blurs the boundaries between what is real and what is imaginary. The Wilderness is a cyclical dance made of psychedelic movements. The geometries, repetitions and canons the seven dancers generate on the stage reminds one of the blooming of fractals in nature and of wild emotional asperities. The experiences they evoke are at the same time more mysterious and denser, and more difficult to decrypt.